该片是由马克·詹金执导的剧情片,于2019年上映，主要讲述了:康沃尔渔村的风景明信片田园诗误导了人们。.虽然过去钓鱼.是一种养家糊口的方式，但如今富有的伦敦游客.纷纷下.山，取代了当地人，当地人的生计因此受到威胁.。史蒂文和马丁兄弟的关系也很紧张。马丁是一个没有船的渔.夫，因为史蒂文开始.用它来.为一整天的游客提供更赚钱的旅游.。他们卖掉了这座家.庭别墅，现在.看来，最后一场战斗是和新主人在海边的停车位上展开。然而.，情况很快就失控了，而不.仅仅是因为车轮夹钳。　　Bait是一种黑白，手工制作，.16毫米胶片制作的电影。许多关.于鱼、网、龙虾、长靴、绳结和渔篮的特写镜头让人想起了蒙.太奇景点的理论。对不同社.会阶层的描述——可以说是.阶级关系——也让人想起了英国电.影中的社会现.实主义传统。然而，.最重要的是，在影像中不同层次的电影历史参考文献之下，当.前许多政治关联正在等待被发现。　　The pictur.e-postcard idyll of the Cor.nwall .fishing village is mi.sle.ading. While fishing .used to be a way of support.ing onese.lf,. wealthy London. tourists. have .now descended and are displ.acing the lo.cals, whose livelihood is t.hus threatened.. The relationship between b.rothers Stev.en and Marti.n is also strai.ned. M.artin is .a fisherman without a boat,. since Steven started using. it for far more lucrative .tours .for all the day-tripp.ers.. They’ve sold the fa.mily cottage and now it see.ms that t.he .final battle to. be fough.t is t.hat with the new owners ove.r the parkin.g space next to the sea. Ye.t the situation. soon gets out of hand, and. not just be.cause of the. wheel clamp.　　.Bait i.s a black.-and-white film shot on han.d-processed 16mm. Numerous .close-ups of fish, nets, lo.bsters., wellington boots, k.not.s and catch baskets b.ring to mind the theory of .a montage. of. attractions. T.he depict.ion of. the different social strat.a – one coul.d speak of class relations .– is also remin.iscent of the tradition of .social reali.sm in Britis.h cinema. Above. all, .however, .a whole lot of current poli.tical relevance is waiting .to be discovered beneath th.e diff.erent layers of film .his.torical references co.ntained in the images.