关于在短时间内的某几个人的经过
类别：剧情片/法国/1959
主演：
导演：居伊·德波
时间：2024-11-03 08:35:33
立即播放
该片讲述: 1 ( ) (1) 该片《关于在短时间内的某几个人的经过》是由居伊·德波执导的电影，别名:，Voice 1 (male professi.onal announcer typ.e) This neighborhood(1) was. made for th.e wret.ched d.ignity of the petty bour.geoisie, for respectable oc.cupations and i.ntellectual tou.rism. The. sedentary population of. the upper f.loo.rs was sheltered from the i.nfluences of the s.treet. This neighborhood ha.s remained t.he sam.e. It .was the strange setting .of our story, where a syste.matic questioni.ng of all the d.iversions. and works of a society,. a total cri.tiq.ue of its idea of happiness., was expressed in. acts. These people also s.corned subje.ctive .profun.dity. They were interest.ed in nothing but an adequa.te and concrete. expression of .themselve.s. Voice 2 (Debord, mon.otone) Human. be.ings are not fully consciou.s of their real li.fe - usually groping in the. dark; overw.helmed. by th.e consequences of their .acts; at every moment group.s and individua.ls find themsel.ves confr.onted with results they .have not wis.hed.. Voice 1 They said that o.blivion was their .ruling passion. They wanted. to reinvent. every.thing .each day; to become the .masters and possessors of t.heir own lives.. Just as one d.oes not j.udge a man according to .the concepti.on .he has of himself, one cann.ot judge such peri.ods of transition according. to their ow.n cons.ciousn.ess; on the contrary, on.e must explain the consciou.sness through t.he contradictio.ns of mat.erial life, through the .conflict bet.wee.n social conditions and the. forces of social .production. The progress a.chieved in t.he dom.inatio.n of nature was not yet .matched by a corresponding .liberation of e.veryday life. Y.outh pass.ed away among the variou.s controls o.f r.esignation. Our camera has. captured for you .a few aspects of a provisio.nal microsoc.iety. . The k.nowledge of empirical fa.cts remains abstract and su.perficial as lo.ng as it is not. concreti.zed by its integration i.nto the whol.e ”. which alone permits the su.persession of part.ial and abstract problems s.o as to arri.ve at .their .concrete essence, and im.plicitly at their meaning. . This group was. on the margins. of the e.conomy. It tended toward. a role of p.ure. consumption, and first of .all the free consu.mption of its time. It thus. found itsel.f dire.ctly e.ngaged in qualitative va.riations of everyday life b.ut deprived of .any means to in.tervene i.n them. The group range.d over a ver.y s.mall area. The same times b.rought them back t.o the same places. No one w.ent to bed e.arly. .Discus.sion on the meaning of a.ll this continued... Voice. 2 Our life is .a journey ” In .the winte.r and the night. ” We se.ek our passa.ge....� Voice 1 The abandoned .literature neverth.eless exerted a delaying ac.tion on new .affect.ive fo.rmulations. Voice 2 The.re was the fatigue and the .cold of the mor.ning in this mu.ch-traver.sed labyrinth, like an e.nigma that w.e h.ad to resolve. It was a loo.king-glass reality. through which we had to di.scover the p.otenti.al ric.hness of reality. On th.e bank of the river evening. began once aga.in; and caresse.s; and th.e importance of a world .without impo.rta.nce. Just as the eyes have .a blurred vision o.f many things and can see o.nly one clea.rly, s.o the .will can strive only inc.ompletely toward diverse ob.jects and can c.ompletely love .only one .at a time. Voice 3 (you.ng girl) No .one. counted on the future. It .would never be pos.sible to be together later,. or anywhere. else.. There. would never be a greate.r freedom. Voice 1 The ref.usal of time an.d of growing ol.d automat.ically limited encounter.s in this na.rro.w, contingent zone, where w.hat was lacking wa.s felt as irreparable. The .extreme prec.arious.ness o.f the means of getting b.y without working was at th.e root of this .impatience whic.h made ex.cesses necessary and bre.aks definiti.ve.. Voice 2 One never really .contests an organi.zation of existence without. contesting .all of. that .organization's forms of .language. Voice 1 When fre.edom is practic.ed in a closed .circle, i.t fades into a dream, be.comes a mere. re.presentation of itself. The. ambiance of play .is by nature unstable. At a.ny moment or.dinary. life�. can prevail once again.. The geographical limitatio.n of play is ev.en more strikin.g than it.s temporal limitation. A.ny game take.s p.lace within the contours of. its spatial domai.n. Around the neighborhood,. around its .fleeti.ng and. threatened immobility, .stretched a half-known city. where people m.et only by chan.ce, losin.g their way forever. Th.e girls who .fou.nd their way there, because. they were legally. under the control of their. families un.til th.e age .of eighteen, were often .recaptured by the defenders. of that detest.able institutio.n. They w.ere generally confined u.nder the gua.rd .of those creatures who amon.g all the bad prod.ucts of a bad society are t.he most ugly. and r.epugna.nt nuns. What usually m.akes documentaries so easy .to understand i.s the arbitrary. limitati.on of their subject matt.er. They des.cri.be the atomization of socia.l functions and th.e isolation of their produc.ts. One can,. in co.ntrast., envisage the entire co.mplexity of a moment which .is not resolved. into a work, a. moment w.hose movement indissolub.ly contains .fac.ts and values and whose mea.ning does not yet .appear. The subject matter .of the docum.entary. would. then be this confused t.otality. Voice 2 The era h.ad arrived at a. level of knowl.edge and .technical means that mad.e possible, .and. increasingly necessary, a .direct constructio.n of all aspects of a liber.ated affecti.ve and. pract.ical existence. The appe.arance of these superior me.ans of action, .still unused be.cause of .the delays in the projec.t of liquida.tin.g the commodity economy, ha.d already condemne.d aesthetic activity, whose. ambitions a.nd pow.ers we.re both outdated. The de.cay of art and of all the v.alues of former. mores had form.ed our so.ciological background. T.he ruling cl.ass.'s monopoly over the instru.ments we needed to. control in order to realiz.e the collec.tive a.rt of .our time had excluded us. from a cultural production. officially dev.oted to illustr.ating and. repeating the past. An .art film on .thi.s generation can only be a .film on its absenc.e of real creations. Every.one unthinki.ngly f.ollowe.d the paths learned once. and for all, to their work. and their home., to their pred.ictable f.uture. For them duty had. already bec.ome. a habit, and habit a duty.. They did not see .the deficiency of their cit.y. They thou.ght th.e defi.ciency of their life was. natural. We wanted to brea.k out of this c.onditioning, in. quest of. another use of the urba.n landscape,. in. quest of new passions. The. atmosphere of a f.ew places gave us intimatio.ns of the fu.ture p.owers .of an architecture it wo.uld be necessary to create .to be the suppo.rt and framewor.k for les.s mediocre games. We cou.ld expect no.thi.ng of anything we had not o.urselves altered. .The urban environment procl.aimed the or.ders a.nd tas.tes of the ruling societ.y just as violently as the .newspapers. It .is man who make.s the uni.ty of the world, but man. has extende.d h.imself everywhere. People c.an see nothing aro.und them that is not their .own image; e.veryth.ing sp.eaks to them of themselv.es. Their very landscape is. alive. There w.ere obstacles e.verywhere.. There was a cohesion i.n the obstac.les. of all types. They maintai.ned the coherent r.eign of poverty. Everything. being conne.cted, .it was. necessary to change eve.rything by a unitary strugg.le, or nothing.. It was necessa.ry to lin.k up with the masses, bu.t we were su.rro.unded by sleep. Voice 3 Th.e dictatorship of .the proletariat is a desper.ate struggle., bloo.dy and. bloodless, violent and .peaceful, military and econ.omic, education.al and administ.rative, a.gainst the forces and tr.aditions of .the. old world. Voice 1 In thi.s country it is on.ce again the men of order w.ho have rebe.lled. .They h.ave reinforced their pow.er. They have been able to .aggravate the g.rotesqueness of. the ruli.ng conditions according .to their wil.l. .They have embellished their. system with the f.unereal ceremonies of the p.ast. Voice .2 Year.s, lik.e a single instant prolo.nged to this point, come to. an end. Voice. 1 What was dir.ectly liv.ed reappears frozen in t.he distance,. fi.t into the tastes and illus.ions of an era, ca.rried away with it. Voice .2 The appear.ance o.f even.ts that we have not made., that others have made aga.inst us, now ob.liges us to be .aware of .the passage of time, its. results, th.e t.ransformation of our own de.sires into events.. What differentiates the pa.st from the .presen.t is p.recisely its out-of-reac.h objectivity; there is no .more should-be;. being is so co.nsumed th.at it has ceased to exis.t. The detai.ls .are already lost in the dus.t of time. Who was. afraid of life, afraid of .the night, a.fraid .of bei.ng taken, afraid of bein.g kept Voice 3 What should. be abolished c.ontinues, and w.e continu.e to wear away with it. .We are engul.fed.. We are separated. The yea.rs pass and we hav.en't changed anything. Voi.ce 2 Once ag.ain mo.rning .in the same streets. Onc.e again the fatigue of so m.any similarly p.assed nights. I.t is a wa.lk that has lasted a lon.g time. Voi.ce .1 Really hard to drink more.. Voice 2 Of cour.se one might make a film of. it. But eve.n if s.uch a .film succeeds in being a.s fundamentally disconnecte.d and unsatisfy.ing as the real.ity it de.als with, it will never .be more than. a .re-creation ” poor and fals.e like this botche.d traveling shot. Voice 3 .There are no.w peop.le who. pride themselves on bei.ng authors of films, as oth.ers were author.s of novels. Th.ey are ev.en more backward than th.e novelists .bec.ause they are unaware of th.e decomposition an.d exhaustion of individual .expression i.n our .time, .ignorant of the end of t.he arts of passivity. They .are praised for. their sincerit.y since t.hey dramatize, with more. personal de.pth., the conventions of which .their life consist.s. There is talk of the lib.eration of t.he cin.ema. B.ut what does it matter t.o us if one more art is lib.erated through .which Tom, Dick. or Harry. can joyously express th.eir slavish .sen.timents The only interestin.g venture is the l.iberation of everyday life,. not only in. the p.erspec.tives of history but for. us and right away. This en.tails the withe.ring away of al.ienated f.orms of communication. T.he cinema, t.oo,. has to be destroyed. Voic.e 2 In the final a.nalysis, stars are created .by the need .we hav.e for .them, and not by their t.alent or lack of talent or .even by the fil.m industry or a.dvertisin.g. Miserable need, disma.l, anonymous. li.fe that would like to expan.d itself to the di.mensions of cinema life. Th.e imaginary .life o.n the .screen is the product of. this real need. The star i.s the projectio.n of this need.. The ima.ges of the advertisement.s during the. in.termissions are more suited. than any others f.or evoking an intermission .of life. To. reall.y desc.ribe this era it would n.o doubt be necessary to sho.w many other th.ings. But what .would be .the point Better to gra.sp the total.ity. of what has been done and .what remains to be. done than to add more ruin.s to the old. world. of th.e spectacle and of memor.ies. 1. This film, which e.vokes the lettr.ist experiences. at the o.rigin of the situationis.t movement, .ope.ns with shots of the Paris .district frequente.d by the lettrists in the e.arly 1950s.《关于在短时间内的某几个人的经过》由参演，是一部非常棒短片,剧情题材的电影，本站免费提供关于在短时间内的某几个人的经过关于在短时间内的某几个人的经过手机高清在线观看。详情